{"id":8969,"date":"2025-05-04T12:35:02","date_gmt":"2025-05-04T15:35:02","guid":{"rendered":"https:\/\/iboga.starpixel.com.br\/?post_type=artist&p=8969"},"modified":"2026-02-09T00:57:35","modified_gmt":"2026-02-09T03:57:35","slug":"ticon","status":"publish","type":"artist","link":"https:\/\/iboga.starpixel.com.br\/pt-br\/artist\/ticon\/","title":{"rendered":"Ticon"},"content":{"rendered":"\t\t
\n\t\t\t\t
\n\t\t\t\t\t
\n\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Ticon<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\tThe successfull Ticon grooves comes from Filip M\u00e5rdberg of vintage year 1979 and Fredrik Gilenholt of an equivalent 1977. The story of their musical involvement dates long back as they in 1991 found the mutual interest for underground dance music and became friends. Fredrik had already been listening to hardtrance and acid techno for a while and introduced Filip who, probably due to the size of their hometown Malmoe – Sweden (and maybe his age), had never heard anything like it but was immediately addicted. It didn`t take long before they both started to dream about making this music themselves and with an Amiga 500 they where on the go.\r\nOk!!… the first tracks sounded more like a cat stuck in a car engine than what was intended to come out of the speakers (to quote Filip in an inteview for Australian magazine Techno Renegade) but after some practice they started to learn the basics so a newly bought PC and an old rock module became the base for their first project, Sector. During this time both of them frequently went to techno and trance parties where they got a lot of inspiration which led them to start buying records and dj\u2019ing at underground psytrance parties. Sector went on for a while without any more progression than when they got the chance to play the track out as djs.\r\nAround 1995, as the homestudio was growing with the salary from a hotel where they both worked, the new moniker Tripticon was born. This was the new step and they sent a lot of demos to different labels but other than some vague promises of release they mainly built a network with people all over the world, swapping dat tapes to get new stuff for their dj sets. But then in 1997, light was at the end of the tunnel when they through a local contact were offered to release an album on Stockholm based Tsunami records (hence not the one of New York). Tracks were gathered and approved, artwork was made and so in 1999 Tripticon \u2013 \u2018the seventh portal\u2019 was released and they had finally released something!!\r\nThe time after the release became a hard period for them musically cause they were getting tired with the Tripticon sound and there was no obvious path to take. A lot of new stuff was tried but it wasn\u2019t until Malmoe based label Digital Structures in the summer of 1999 contacted them and proposed that they try to make trance of a more groovy nature, that things started to get clear. They got in for a heavy studio session and out of it came the track \u2018mona bone\u2019, later to be released on Digital Structures together with \u2018deep fried cricket\u2019 as a 12\u201d, which is today a classic Ticon track but more important, they had found the path they were looking for.\r\nAfter successfull realases of now classic tracks like \u2018ass-tronaut\u2019, \u2018monkey business\u2019, \u2018rattlesnake lollipop\u2019, \u2018lo mi hi\u2019 and \u2018input, output, kaput\u2019 on lables like TIP World, Hadshot Haheizar, Transient rec, Dragonfly rec, Surround Sounds and of course Digital Structures, they had earnt a spot in the growing group of respected tranceproducers.\r\nBy mid 2000 an obvious need for a debut album had risen and the boys started the work of what was to become the full length \u2018rewind\u2019. Released in april 2001 it received waves of acknowledgement from all over the world with rave reviews and important djs calling it one of the most important trance albums. With no concept of how the album was to be received, Fredrik and Filip were more than pleased to see tracks like \u2018we are the mammoth hunters\u2019 enter the history of trance music.\r\nAlong with these productions they had gotten more and more equipment and the bedroom studio in Fredrik\u2019s appartment (which he by the way shares with his father) was on the verge of making him homeless with consoles, synths, cables and effects covering every surface but the bed. Needless to say, a studio was needed to solve the space and the angry old lady upstairs …\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Artistc Name: <\/span>Ticon<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Genre: <\/span>Progressive Trance<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Country: <\/span>Sweden<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t<\/path><\/svg>\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t Listen Now<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t\t
\n\t\t
\n\t\t\t\t\t
\n\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Feature Releases<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t
\n \n \n\t\t\tSee All<\/span>\n\n \n \n <\/span><\/a><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t